OmniVision Technologies, Inc. has lately launched two 14.6-megapixel image sensors, the OV14810 for digital still/video cameras and the OV14825 for mobile applications. They are aimed at to achieving the highest quality in both video and photography as they can provide for high-resolution still photography and full 1080p high-definition (HD) video at 60 frames per second (fps).

OmniVision’s new HD sensors use the company’s most advanced 1.4-micron pixel architecture, so that even being the industry’s smallest format sensors they could achieve good performance in terms of sensitivity.

So they measure 1/2.33-inch in size and have active array of 4,416 x 3,312 backside illumination pixels. In full HD video mode, the sensors also provide additional pixels for electronic image stabilization (EIS).

Back illumination technology helps achieve highest sensitivity. “The OV14810 represents a new milestone in digital imaging, bringing the most advanced pixel technology and sensor design to offer the highest quality video and photography in a single device,” said Bruce Weyer, vice president of marketing at OmniVision.

The OV14810/OV14825 will be used in different end applications ranging from mobile phones to digital cameras. It enables ultra compact camera designs with a low-cost bill of materials and reduced power consumption.

These products are offered with industry-standard connectivity including LVDS, MIPI and DVP and do not require external IC components. They will enter mass production in the second quarter of 2010.

OmniVision OV14810 and OV14825 – Features:

• CMOS Image Sensors
• Sensor Size: 1/2.33-inch
• 14.6 Megapixels
• Sensor Resolution: 4,416 x 3,312
• Backside Illumination
• Delivers Full 1080p HD video at 60 fps
• Pixel Size: 1.4-micron
• OV14810 for Digital Still/Video Cameras
• OV14825 for Mobile Applications

Effective astrophotography requires the use of many of the following techniques:

- Mounting the camera at the focal point of a large telescope
- Film emulsions with low light sensitivity or specialized CCD cameras
- Very long exposure times and/or multiple exposures (often more than 20 per image).
- Accurate tracking of the subject to compensate for the rotation of the Earth during the exposure
- Use of filters to reduce background fogging due to light pollution of the night sky.

History

The first astrophoto is attributed to John William Draper, who took a photo of the moon in 1840. His son, Henry Draper, later became the first person to photograph the Orion Nebula in 1880, which was essentially the first deep sky astrophoto.

Today, astrophotography is a fast growing hobby that is popular among photographers, amateur astronomers, and hobbyists of all ages.

Amateur Astrophotography

Although the description above suggests that astrophotographs can be made only with expensive equipment by observatories or photographers with extensive experience; in fact, surprisingly good quality photographs of the night sky can be made by almost anyone using readily available single lens reflex 35 mm film cameras, digital cameras, inexpensive dedicated astro cameras to off-the-shelf webcams.

Photographs using exposures lasting several minutes or even hours will show long star trails (because of the Earth’s rotation). Some astrophographers do this on purpose for the desired effect. Most astrophotographers avoid this blurring by either using a short exposures on a stationary mounted camera, or by using a motor-driven telescope mount, in order to keep the stars as points of light in the final photograph.

Difficulties

There are several unique problems with photographing very faint objects, and taking such photographs from a moving platform (Earth) adds to the complexity.

* Astro subjects can be extremely faint - much fainter than the naked eye can see. In many cases the photographer can not see the subject being photographed.
* The spectra (color) of many astro subjects are difficult to record. Some are near the infrared, or require special filters to be separated from the background light.
* The Earth is constantly rotating. When imaging through a telescope or long focal length lens, the effect of Earth’s rotation will ruin an image within a fraction of a second, if nothing is done to compensate for it.
* Camera tracking platforms and/or telescope mounts are expensive, take time to set up, and can be difficult for a beginner. Special guiding techniques and error correction programs are required to ensure that the camera tracks the sky perfectly.
* Long exposure will lead to excessive noise for non-cooled digital cameras; active cooling and stacking can help to reduce this problem. For film based imaging, film will show reciprocal failure, that means the sensitivity to light of different wave lengths appears to drop off as the exposure time increases, which also leads to color shift in the image.

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They are often used by photographers shooting broad landscapes to suggest the curve of the Earth. Hemispherical photography is used for various scientific purposes to study plant canopy geometry and to calculate near-ground solar radiation.

The focal lengths of fisheye lenses depend on the film format. For the popular 35 mm film format, typical focal lengths of fisheye lenses are between 8 mm and 10 mm for circular lenses, and 15-16 mm for full-frame lenses.

All the ultra-wide angle lenses suffer from some amount of distortion. While this can easily be corrected for moderately wide angles of view, rectilinear ultra-wide angle lenses with angles of view greater than 90 degrees are difficult to design. Fisheye lenses achieve extremely wide angles of view by foregoing a rectilinear image, opting instead for a special mapping (for example: equisolid angle), which gives images a characteristic convex appearance. A panorama by rotating lens or stitching images (cylindrical perspective) is not a fisheye photo.

TYPES OF FISH EYE LENS

Circular

The first types of fisheye lenses to be developed were “circular fisheyes” - lenses which took in a 180-degree hemisphere and projected this as a circle within the film frame. Some circular fisheyes were available in orthographic projection models for scientific applications.

Full-frame

As fisheye lenses gained popularity in general photography, camera companies began manufacturing fisheye lenses that enlarged the image circle to cover the entire 35 mm film frame. Because of this, the picture angle produced by these lenses only measures 180 degrees when measured from corner to corner.

The first full-frame fisheye lens to be mass-produced was a 16 mm lens made by Nikon in the late 1960s. This is the type of fisheye most commonly used by photographers. Digital cameras with APS-sized sensors require a 10.5 mm lens to get the same effect as a 16 mm lens on a camera with an image sensor the size of a 35mm film image.

Focal length

The widest lens ever produced was a 6 mm circular fisheye made by Nikon. Initially designed for an expedition to Antarctica, it featured a 220-degree field of view, designed to capture the entire sky and surrounding ground when pointed straight up. This lens is still manufactured by Nikon upon special order, and is used nowadays to produce interactive virtual-reality images such as QuickTime VR and IPIX.

Because of its very wide field of view, it is very large and cumbersome - weighing 5.2 Kg (11.5 lb) and having a diameter of 236 mm (9.3 in). It dwarfs a regular 35mm SLR camera and has its own tripod mounting point, a feature normally seen in large long-focus or telephoto lenses to reduce strain on the lens mount because the lens is heavier than the camera.

Technorati Tags: digital photography, lens, fish-eye lens, photography equipment, photo news, camera review

Canon today announces the launch of the 12x optical zoom, 8.0 Megapixel PowerShot S5 IS. The new compact inherits optical Image Stabilizer (IS) technology, professional-grade optics and extensive movie functions while introducing a host of new features designed to increase the photographer’s success rate.

Powered by Canon’s DIGIC III image processor, Face Detection Technology improves focus, exposure and flash output for people shots while the new Red-Eye Correction feature effectively solves red-eye problems in captured photos. An increased sensitivity range of ISO 80-1600 complements the optical IS system for extended low light performance.

Other key advancements include a larger, higher resolution 2.5” vari-angle LCD, additional shooting modes and extended video recording. The compact design incorporates a new hot shoe that provides compatibility with selected Canon EX Speedlite external flashes, adding to an accessory list that includes Wide, Tele and Close-up converter lenses.

Feature:

• 12x optical zoom lens with Ultrasonic Motor (USM) and UD lens
• Optical Image Stabilizer
• 8.0 Megapixel CCD
• DIGIC III with advanced Noise Reduction technology and Face Detection for stills and movies
• Red-Eye Correction in playback
• 2.5” high-resolution vari-angle LCD
• Long-play VGA movies with stereo sound and Photo in Movie
• 22 shooting modes including full manual control and 0cm Super Macro
• High ISO 1600 and Auto ISO Shift
• Compatible with Wide/Tele/Close-up converter lenses and Canon EX Speedlite flashes

Look for Canon Powershot S5 IS at our ONLINE CAMERA STORE.

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Panasonic announce a new addition to the Lumix family of high-performance digital cameras. The new Lumix DMC-FX100 combines 1/1.72-inch large 12.2-megapixel image recording with a superb, 28mm wide-angle Leica DC lens that features a 3.6x optical zoom (equivalent to 28-100mm on a 35mm film camera) and f/2.8 brightness. This Leica DC lens has been newly developed specifically for the Lumix FX100, whose 12.2-megapixel recording gives users the creative power to capture stunningly true-to-life high-resolution images with extraordinary resolution, detail and clarity. Panasonic managed to pack the advanced 28mm wide-angle lens and large CCD into a sleek, slim body.

The new advanced Mega O.I.S system in the Panasonic DMC-FX100 can even detect and separate the hand-shake from other movement of camera to raise both precision of detection and corrective effect. Second is Intelligent ISO Control, a system that fights motion blur by detecting if the subject moves and adjusting the ISO setting and shutter speed according to the degree of motion and light conditions.

The Lumix DMC-FX100 also incorporates the Venus Engine III, Panasonic’s advanced image processing LSI that helps render exquisite images with minimal noise. Also providing exceptional response speed, the Venus Engine III makes possible the newly developed High-Speed Burst shooting mode that lets you snap off a lightning-fast eight shots per second, as well as a new High Sensitivity mode that provides a maximum ISO setting of 6400. In addition, when using the High Sensitivity mode, the built-in flash reaches as far as 16 m, letting you capture clear images even in dim lighting.

Features:

• 12.2 million pixels
• 6.0-21.4mm (28-100 35 mm equiv) 3.6x optical zoom
• 2.5″ Polycrystalline TFT LCD Display
• MEGA O.I.S. (Mode1/ Mode2)
• SD/SDHC/MMC card
• 148g (5.3 oz)
• 96.7 x 54 x 24.5mm (3.8 x 2.1 x 1 in)

Look for Panasonic Lumix DMC-FX100 at our ONLINE CAMERA STORE.

Discuss this news & share your opinion on our PHOTO FORUM.

Read the full review of the Panasonic Lumix DMC-FX100.

Technorati Tags: Panasonic Lumix DMC-FX100, photos, photography, images, digital cameras, tripods, lenses