Water,
sea, ocean... They keep a lot of differences. Their character is also
changeable and every state of theirs is so beautiful! But how can we reveal
calmness of the sea before the storm or the power of the element?
What should we remember when shooting the sea landscape:
1. Think of a place. The ideal
variant would be a rocky bay full of stones with different surface patterns.
It’s better if it’s not suitable for comfortable rest - there are fewer
chances to meet another photographer in wild areas, or a lonely tourist might
be an essential part of your shot, or his steps might create an interesting
composition on ideal surface of sand. Also you won’t meet there any “presents”
of our civilization as cans, plastic bags and so on.
Don’t be
upset if you haven’t a possibility to get to a wild bay. You can choose a famous place but in the dead season. Use the internet.
Look through pictures of the place you’ve chosen, so you will estimate the area
potential in advance and won’t waste your time on it after arriving.
2. Thinkofcomposition.
·Pay attention to the
weather and remember that vertical
shot is deeper and more active, and horizontal
is wider and more tranquil. So you can stress the storm or the calm with the
help of your shot position.
·Pay attention to the light . Reflections on seaside
pools or pits near stones might be an amusing story for your shot.
·Be attentive to details.
Don’t concentrate only on large forms. You can use some interesting texture or
a group of rhythmically located stones as a foreground (try wide-angle lens
here). Also such detail as a separate bright element can be the center of your
composition.
·Rhythm. There are a lot
of groups of different objects that seem to be chaotic. Try to form your shot
so that the rhythm could be seen.
·Lines. Remember that lines make our eyes follow them. It
means people will have a good look at your shot. Don’t be afraid to break the
rule of thirds or place the horizon line right in the center. Just know why you
are doing so.
3. Think of time.
Golden Hours. The mystery of the sea landscape
is in time because sea shots are often based on slow shutter speed. The ideal time to photograph seashore is twilight (about an hour before the sunrise) when just the first gleams of light
are ready to appear and sunset (adding
some time after). It’s called Golden hour (or magic hour) and lasts about two hours.
Exposure time. Shutter speed from20-30 sec
to some minutes can fix the sea movement transforming even the biggest
waves to the mist. You can either set your shutter speed and wait for your camera do
all the work, or try to interfere in this process. For example, you can control the amount of
light reaching your image sensor by closing the lens at the right moment. It
might be the moments when waves are flooding seashore stones (you may set our
camera in Bulb Mode).
Focal length. In order to control focal length you
should work with max. closed diaphragm. The more you close it the deeper focal length
you get. Though don’t forget about features of your lens: while one model can
cope with these setting another one might have the blur effect.
ISO. Be able to change the ISO on the fly. Start with min ISO, but if there is not enough light increase it.